Tag Archives: Regionalist Architecture

BUILDING OF THE SEVILLE CHARITY ASSOCIATION

by

This regionalist building designed by Aníbal González stands at the intersection of Arjona and Reyes Católicos streets. It is known by the name of the organisation that commissioned its construction, the Asociación Sevillana de Caridad. It was built between 1912 and 1914 and originally had only one floor. In 1937, the architect Aurelio Gómez Millán was commissioned to build the upper floor, respecting the original layout as much as possible.

From the outside, the main feature of all the facades is exposed brick, which is abundantly used as one of the most characteristic elements of regionalist architecture. In the upper part, decorative ceramic elements help to break up the monochrome of the whole.

The two main entrances are framed by very classical structures. The one facing Reyes Católicos is flanked by pilasters and topped by a triangular pediment decorated with glazed ceramics. The entrance on Calle Segura is framed by columns, also made of brick, which support an entablature with a curved pediment, also with ceramic decoration.

Today, the building houses a restaurant and a hospitality school, both known as “Casa Aníbal”, in reference to the architect who created the original project.

MERCADO DEL POSTIGO – POSTIGO’S MARKET

by

The Postigo Market is an interesting regionalist-style building designed by Juan Talavera y Heredia around 1926. Today it houses the El Postigo Craft Market, where around twenty local artisan workshops sell their products.

The building occupies a small block between streets, so it adopts a triangular shape with chamfered corners. It has two floors, in addition to the basement, which are arranged around a central space covered by skylights that allow light to pass through.

 

On the outside, we find exposed pressed brick and on the second floor there is a concrete balustrade that surrounds the terrace. Its main façade is the one facing north (Arfe Street). As it is the shortest, the architect emphasises its importance by erecting a simple square-shaped viewing tower above it, also topped by a balustrade.

* : Wikimedia

MURILLO GARDENS

by

The Murillo Gardens and the Catalina de Ribera promenade form one of the most interesting garden areas in the city of Seville, both historically, artistically, scenically and environmentally. They are fully involved in the life of the city and preserve interesting botanical species as well as architectural and sculptural samples and original street furniture elements from the time of their formalisation in the first quarter of the 20th century.

Juan Talavera y Heredia, a well-known representative of regional historicism, designed the Murillo Gardens in 1911 on land donated by the Crown, which had previously formed part of the Huerta del Retiro del Alcázar. They have a more secluded layout and a more intimate air, in contrast to the longitudinal layout of the Paseo de Catalina de Ribera.

The composition of this space is based on grid-like paths formed by hedges and paving which, at their intersections, create octagonal roundabouts in which there are central fountains and factory benches covered with tiles. The resulting flowerbeds are occupied by dense masses of vegetation that give the area an intimate atmosphere.

Among the open spaces, the gazebo dedicated to the painter José García Ramos stands out. It is bordered by entrance arches and low walls with tiled panels that recreate famous works by the artist, executed by other painters in the master's circle such as Miguel del Pino, Santiago Martínez, Alfonso Grosso, Manuel Vigil, and Diego López.

Nearby there is a regionalist style building used as a home. In these gardens you can find a great variety of plant species, with Magnolia Grandiflora, Cupresus Sempervivens Estricta, Ficus Magnoloides Religiosa, Platanus Hibrida, etc. standing out for their age and development.

Text of the BIC declaration, 12-03-2002.

! The Murillo Gardens appear by mistake as "Jardín de las Tres Fuentes" on Google Maps, while where you can read "Jardines de Murillo" it is actually the Paseo Catalina de Ribera.

CATALINA DE RIBERA PROMENADE

by

The Paseo de Catalina de Ribera (promenade) and the Murillo Gardens make up one of the most interesting garden areas in terms of history, art, landscape and environment in the city of Seville. They are fully involved in the life of the city and preserve interesting botanical species as well as architectural and sculptural samples and original street furniture elements from the time of their formalisation in the first quarter of the 20th century.

The current Paseo de Catalina de Ribera has its remote origin in the transfer, in 1862, of part of the Huerta del Retiro del Alcázar. This new public space, which was intended to attenuate the narrowness of the urban layout of the neighbouring neighbourhoods, did not yet have a special layout. At the end of the 19th century, a first project was undertaken for landscaping and furnishing what was then called the "Paseo de los Lutos" and, in 1920, on the occasion of the interventions carried out in view of the Ibero-American Exhibition, the architect Juan Talavera y Heredia, formalised the layout preserved today.

This same architect, a well-known representative of regionalist historicism, had designed a few years earlier the adjacent Murillo gardens, also the result of a transfer (1911) of another portion, located to the north-west, of the Huerta del Retiro del Alcázar. The layout of the Paseo de Catalina de Ribera has a clear longitudinal arrangement, designed for traffic, while the Murillo Gardens respond, due to their location and design, to a more secluded enclosure.

The walk is structured by a central axis and two secondary axes, parallel to the latter and arranged on both sides, which are made up of flowerbeds delimited by factory and tiled parapets. The central axis is interrupted at its midpoint by a large circular space centred by a fountain, also circular, on which, above a pedestal with busts of Columbus and the Catholic Monarchs, two columns stand, supporting an entablature crowned by the figure of a lion and, at mid-shaft, the prows of the caravels.

The monument, which provides the vertical element of compositional compensation to the promenade, was designed by the architect Talavera and executed by the sculptor Lorenzo Coullaut-Varela, and is dedicated to Christopher Columbus, in keeping with the events of the Ibero-American Exposition of 1929, when it was held.

Very close to the monumental fountain is the parietal fountain, attached to the enclosure wall of the Alcázar gardens, dedicated to Catalina de Ribera, benefactor of the city with the foundation of the Hospital de las Cinco Llagas. It has an architectural structure in neo-mannerist style designed by Talavera and Heredia himself with paintings alluding to the lady, plus the remains of another fountain from the 16th century.

Text of the BIC declaration, 12-03-2002.

HEADQUARTERS OF THE REAL MAESTRANZA

by

The headquarters of the Real Maestranza de Caballería is located next to the Plaza de Toros, of which this institution is the owner. It is a regionalist building in the neo-baroque style, designed by Aníbal González in 1929.

However, the property would undergo successive renovations and expansions in the following decades. In 1956 the chapel was inaugurated, the construction of which was directed successively by Gómez Millán, Medina and Barquín Barrón. It has a Latin cross plan, with a single nave covered by a barrel vault with lunettes. The central space of the transept has been covered by a lowered dome with a drum and lantern, sitting on pendentives.

The main altarpiece is recomposed taking parts of the primitive altarpiece that occupied the chapel that the Maestranza had in the church of the disappeared convent of Regina Angelorum. It was originally made under the direction of Francisco Dionisio de Ribas in 1668 and its sculptures are the work of Pedro Roldán. In its central niche, a dress image of the Virgin of the Rosary is venerated, a work by Cristóbal Ramos from the 18th century, considered the official patron saint of the corporation.